Le travail authentique, c’est une dentelle de Bruges.
Ce qui compte dedans, c’est ce qui tient le motif : l’air, les vides, les ajours.
J’aime penser le geste, aiguille dans les mains de la conscience, c’est ça le chemin de pensée de la disposition des œuvres dans l’Aire Carlo Scarpa.
Fondazione Querini Stampalia, Venise, 1999, commissaire Chiara Bertola.
G. C.
Genuine work is a lacework from Bruges.
What counts in it is what holds the pattern together: the air, the voids, the openings. I like to think the gesture, a needle in the hands of consience. This is the stream of thought guiding the placement of the works in the Carlo Scarpa Space.
Fondazione Querini Stampalia, Venise, 1999, commissioner Chiara Bertola.
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La scuola delle merlettaie cieche 1999
Vue de l’exposition à la Fondazione Querini Stampalia, Venise, 1999
Photographie Francesco Allegretto
View of the exhibition at the Fondazione Querini Stampalia, Venice, 1999
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La scuola delle merlettaie cieche 1999
Vue de l’exposition à la Fondazione Querini Stampalia, Venise, 1999
Photographie Alfonso Caccavale
View of the exhibition at the Fondazione Querini Stampalia, Venice, 1999 |
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